Showing posts with label green tea. Show all posts
Showing posts with label green tea. Show all posts

Tuesday, June 3, 2014

Harvest

Piling on the tea train

[In case you've read last year's account, this may be slightly redundant. Hope you can enjoy the photos, anyway! ^_^ ]

It's difficult to say that one one part of the tea making process is any more or less important than any other but it certainly all starts with the harvest. Obviously, you can't make good tea without good leaves.

This late in the short tea-picking season is "Jung Jak" (Korean name of the third flush, but not literally "third flush"), so we pick just the bud with one leaf. The bud holds the sweetness and the leaf adds the bitter taste, the two basic characteristics of nearly every tea. The second leaf would over power the delicate balance and the taste would not taste good.

The harvest is the more grueling part of the process, hunched over the hot sun, scouring the bushes for tender buds. I keep wanting to take a break, but I know the more I pick the more tea I'll have to bring home. I do take a moment to enjoy a few deep breaths of the fresh mountain air now and then and take in the view of Jiri Mountain from this 700 meter foothill. I especially enjoy rustling the leaves in the bag and sticking my nose in for a deep whiff. Like sugar-snap pea pods mixed with a touch of citronella.

The bag fills slowly with the small buds and leaves. My arms have begun to burn in the hot sun and are quite uncomfortable, so I move to a patch of bushes beneath the shade of a large persimmon tree, a few rows down the slope. The others stayed above, near the top, so there are many decent buds here to pluck. Not long after, Prof Ahn calls out that we've done enough and we take turns piling onto the little carts to bring us back to the workshop to start the roasting process.


A perfect bud and leaf for "Jung Jak"

Riding up the slope

Through the bushes

At the top









Saturday, December 21, 2013

Taiping Houkui • 太平猴魁

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2009 Taiping Houkui • 2009 太平猴魁

A few weeks ago, I posted about comparing Taiping Houkui at Kkik Da Geo and thought I'd do a follow up.

The comparison was between an authentic 2009 and an imitation from earlier this year. Though the imitation was still nice, it's hard to choose against authentic, and I brought 50g of it home.

Though I fully accept that this blog may put me in the upper echelons of tea snobbery, I'm normally a rather humble guy... To prove it (is trying to prove humility still humble? oops!), I'm not above using a $4 mason jar instead of a fancy $25 French press for steeping! (-_^). It is an Italian mason jar, so I guess it's still a snob-level mason jar... Anyway, I punched a few holes in the lid to pour from and gave it a try.

It wasn't totally ideal, it was tricking to pour (I hadn't considered the heat of the glass) and a little too big, but after a couple of adjustments, it did the trick. Some green teas can stand a little hotter water, this is not one of them. Also, the width of the jar was much wider than the the proper glass vessel, making the amount of leaves to use harder to judge.

I also tried using a "new zhuni" Draon Egg potthat I keep for white and green teas. I thought it's height would be enough but it was still too short to hold the extremely long Taiping Houkui leaves. But after just a few seconds in water, they softened enough to slip into the pot, like pasta in boiling water. The results of the zhuni pot were excellent, the only drawback being that you miss the "phoenix dance" as the leaves swirl around the pot.

Overall, I found this tea to be unforgiving. If the water was even slightly too hot, the taste was unpleasant and other times I wasn't able to get much flavour from it at all. Once I become better acquainted with its mood, I should find more consistency. Though it's challenging bothDragon Well and Bi Lo Chun for top green tea, I think that I still prefer Dragon Well.

What drew me the most to Taiping Houkui are its unique, long leaves. The cultivar used for Taiping Houkui, Shi Da Cha, is exclusively used for this tea, it isn't found in any other tea growing region, and is the reason for its sharp, blade-like shape. Buds with five leaves are initially plucked, then during the processing the bottom two leaves are removed. Most green teas are roasted and rolled but these leaves ate flattened with mesh and baked, leaving their original appearance somewhat intact.

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Monday, October 28, 2013

Handmade Jung-jak cha, from Cheong Seok Gol




It's about time I add a bit about preparing Korean green tea, taking a look at the tea we made back in May. For a bunch of first-time tea makers, our efforts were a success, aside from from a few leaves being greener than the desired bluish-jade and a few strands of cotton I've had to pick out from the gloves we were wearing.

Korean tea ware is much heavier and more rustic and bulky than its elegantly simple Yixing counterpart, but there's a humble charm I've always appreciated about Korea's rustic aesthetic. The most recognizable feature of a Korean teapot is the long side handle, perpendicular to the spout. I chose this set because it was traditionally fired in a wood kiln with a beautifully textured and coloured glaze. In the tea shop, I mentioned Japanese "raku" firing, asking if it were the same. This was back in 2007, before I knew better, and if looks could kill, from the other-wise lovely clerk, I wouldn't have lived to see 2008, or even taken another breath, for that matter... You see, during the Japanese invasion of 1592, Korea's best potters were forcibly taken to Japan, entire villages of them in some cases, leaving Korea to relearn what was lost with the sudden absence of its masters. It happened 422 years ago, but anything related to Japan remains a touchy issue!

Korean tea sets often serve 3-5 people, though if you were to substitute Chinese cups, you could nearly double the servings. Some traditional Korean techniques focus on three servings, but I can't help but approach any tea with a gongfu method. An important piece in the Korean set is the "suku"(숙우), a spouted bowl for cooling the boiled water, since Korean green tea requires the water to be cooled to a very low temperature. The first infusion can be steeped at as low as 50ºC/122ºF (which requires a longer steep than usual). Since green tea is unique in that the brewing temperature is much higher as the steeps progress, the suku is convenient for cooling small amounts of water, while the rest may remain heated in the kettle. There's a saying in Korea not to be too greedy during the first infusion. If the first cup is too delicious, the rest of the session won't be as good. I don't see it as choosing quantity over quality, but finding a pleasant balance between the two.

The pot and cups are heated, as the Chinese do, but unlike Chinese style, there is little to no overspill. There is also a smaller leaf to water ratio than gongfu style, but that's often the case with any green tea. Once the set is heated, a single pot's worth of water is poured into the suku. While waiting for the water to cool, the heated pot has some time to heat the leaves and awakens them with a rich, sweet aroma.

There's no need to rinse the leaves. Once the water is cooled, gently pour it over the leaves in a circular motion. With the water between 70-80ºC, steep the leaves for 20 seconds, then you may either pour directly into the cups or back into the suku. I look for a light jade color in the cup. If find a strong or slightly yellow colour is too bitter for my liking and loses its delicate sweetness. The second steep should be 15 seconds and the third 20 seconds again. After the third steep start increasing the time by 10-15 seconds. While steeping, rotate your wrist to gently rock the pot in a circular motion. It always gives me a little thrill to see how bright green the leaves become after steeping them, almost as they were off the bush.

Green tea is one of the trickiest to steep well. It took me lot of practice before I was able to steep more than three cups and still extract any flavour. As delicate as Korean green tea is, even if done with skill, after the sixth steep, the brew is very light, especially with Ujeon or Sejak.





















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Friday, October 4, 2013

Taiping Houkui • 太平猴魁 (authentic 2009 vs 2nd grade 2013)



At the tea house the other night, Mrs Kim did a comparison of their authentic Taiping Houkui 2009 vs a second grade spring 2013 production. Following the trend of many other teas, of the last few years authentic, long leaf Taiping Houkui is nearly impossible to find outside of China. Production is very small, requiring great skill and care to harvest at process only the most perfectly formed leaves. Since the Panama World Expo in 1915, Taiping Houkui has won several awards, including the title, King of Green Tea, in 2005. What we do find on the market is a shorter leaf version with a much brighter green colour.

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On the left is the 2009, and on the right is this year's spring harvest. The differences in size and colour are obvious. The authentic version has leaves up to 15 cm long, much longer than the lower grade leaves. 

Starting with the 2009, Mrs Kim dropped a few tong-fulls of leaves into a glass infuser. The traditional technique is to cover them them water, then swirl them around in the infuser. As the leaves soften in the water, they swirl gracefully around like ribbons. In China, this part of the process is known as the Phoenix Dance.

The 2009 Taiping Houkui produced a bright golden infusion. The smell and taste were comparable to the deep roasted bitterness of Dragon Well and highlighted with a strong burst of sweetness on the tongue. 

Next came the 2013 Taiping Houkui. The infusion was noticeably greener and slightly stronger with an overwhelming grassy flavour. Though it had freshness on its side, it lacked the dynamic range of the real deal.  

Comparing the used leaves, some further subtle differences emerge. The meticulous selection of the 2009 leaves were more luminous and had perfectly clean edges, a trait of the rare cultivar use exclusively for Taiping Houkui to produce young leaves of this size. The inferior 2013 sample showed thicker, jagged leaves, lacking the distinctive youthful characteristics of the original. Straining my ear to follow Mrs Kim's instructions and descriptions in Korean, for her final appraisal, she broke out in English, referring to the 2009, "This tea is more beautiful!"

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